EMS Synthi 100
Project Duration
From 1979
Curators
1979 – 2022: Ivan Schepers
2022 – present: Bart Moens
Summary
In 1979, IPEM acquired an EMS Synthi 100, and after 40 years it is still fully operational, depite the many times it was moved about, not always in good circumstances. Over the years, it has been maintained and serviced by serveral talented technicians; most notably Ivan Schepers (IPEM), Constantin Papageorgiadis (Portabellabz) and Orson Wouters. Thanks to them, today the legendary soundmachine is still operational and attracting a wide audience. The release by Soulwax of an album and book, with new compositions and documentation, as a tribute to the Synthi 100, is certainly illustrating this.
Lately IPEM and it’s Art-Science-Interaction Lab [ASIL] has integrated the artistic heritage within a digital culture and science context of new inventions with new technology, notwithstanding AR/VR/XR approaches. Combining ‘living heritage’ [Cultural heritage can only persist when there is renewal and interest in it from a younger generation, creative and connecting!] with diverse art-science approaches, a new network developments are offering new immersive experiences.
EMS Synthi 100 at FTI 2024: live concerts in the new Wintercircus Concert Hall (16 & 17 March 2024)
Live performances of:
- Micha Volders
- Köhn
- Floris Van Hoof
- Ambisynics
- Sagat
- Roman Hiele
- Mika Oki
- Ossia
- Indrė Jurgelevičiūtė
DEEWEE – EMS Synthi 100: listenening session in 4DSound (December 2023)
David & Stephen Dewaele (aka Soulwax/2manydjs) have always been fascinated by collecting instruments and recording gear. Their passion hasn’t been born by completism: simply every new item inspires a world of new possibilities. The one item that always eluded them was the EMS Synthi 100 – a huge and rare analogue/digital hybrid synthesizer that can create a near infinite array of sounds.
The album sounds simultaneously futuristic and retro as it highlights the versatility, uniqueness and warmth of the Synthi 100. Remarkably, a synthesizer that was first launched in 1971 continues to excel in 2020, aided only by patient restoration and fresh creative input. Each side of the vinyl features a long piece of music, each of which is divided into three movements. While they can be heard separately, David & Stephen Dewaele, urge people to listen to the entire experience from start to finish.
Especially for Ocean Of Sound, DEEWEE created – with the help of studio wonder Pim Gombeers – a 4DSOUND version of this already legendary album. For this they went to Berlin to mix the composition in MONOM’s 4DSOUND studio. Immersive composition created in 4DSOUND. The artist is not playing live.
Credits
Composed, recorded, produced and mixed at DEEWEE by David & Stephen Dewaele | This album was created with the help of and in collaboration with IPEM, Gent | Photography: Younes Klouche | Art direction: III-Studio | Spatialized and produced by Monom Studios, commissioned by STUK – House for Dance, Image & Sound, for Ocean Of Sound 2023 | In the context of: New Horizons | Dieric Bouts Festival, an initiative of KU[N]ST Leuven | Special thanks to: Pim Gombeer
https://www.diericboutsfestival.be/nl/agenda/deewee-ems-synthi-100
Synthi 100’s worldwide
There have been 30 EMS Synthi 100 units produced in the 70’s. IPEM owns the one with serial “3030”, presumably the last one built by EMS. Estimates are that there are still at least12 units around (source):
- Greek Contemporary Music Research Center (Athens)
- University of Melbourne
- Ghent University
- Musikhochschule Stuttgart
- South Bend, Indiana
- Townshend Studio (University West-London)
- Richard James (Aphex Twin)
- Jack Dangers (Meat Beat Manifesto)
- Danny Kerry (Tool)
- R10 Interact Digital Arts (Leicester, UK) – in restoration
- National Music Centre in Calgary (Canada)
- University of Osnabrück (Germany) (Synthi 200)